Yamaha 006IPTO-F0 Owner's Manual page 183

Digital production console version 2
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A
CURRENT TYPE
This parameter displays the currently-selected channel comp type (Compressor,
Expander, Compander Soft, Compander Hard).
B
CURRENT CURVE
This graph displays the current compressor curve.
C
GR meters
These meters indicate the amount of gain reduction being applied by the compressor,
and the post-comp levels of the currently-selected channel and its available pair partner.
D
Type & Curve section
The type and curve of the currently-selected memory is displayed here.
2 Use the LAYER buttons to select layers, then press the [SEL] buttons to select
channels.
You can now store the selected channel comp settings and recall the compressor library
memories to channels. For details on storing and recalling memories, see "General Library
Operation" on page 173.
The following table lists the preset memories in the Compressor library:
No.
Preset Name
Comp
1
COMP
Expand
2
EXPAND
Compander (H)
3
COMPAND-H
Compander (S)
4
COMPAND-S
A. Dr. BD
5
COMP
A. Dr. BD
6
COMPAND-H
A. Dr. SN
7
COMP
A. Dr. SN
8
EXPAND
A. Dr. SN
9
COMPAND-S
A. Dr. Tom
10
EXPAND
A. Dr. OverTop
11
COMPAND-S
E. B. Finger
12
COMP
E. B. Slap
13
COMP
Syn. Bass
14
COMP
Piano1
15
COMP
Piano2
16
COMP
E. Guitar
17
COMP
A. Guitar
18
COMP
Strings1
19
COMP
Strings2
20
COMP
Type
Compressor for reducing the overall volume level. Use
it on the stereo output during mixdown, or with paired
Input or Output Channels.
Expander template.
Hard-kneed compressor template.
Soft-kneed compressor template.
Compressor for use with acoustic bass drum.
Hard-kneed compander for use with acoustic bass
drum.
Compressor for use with acoustic snare drum.
Expander for use with acoustic snare drum.
Soft-kneed compander for use with acoustic snare
drum.
Expander for use with acoustic tom toms, which auto-
matically reduces the volume when the tom toms are
not played, improving mic separation.
Soft-kneed compander for emphasizing the attack and
ambience of cymbals recorded with overhead mics. It
automatically reduces the volume when the cymbals
are not played, improving mic separation.
Compressor for leveling the attack and volume of a fin-
ger-picked electric bass guitar.
Compressor for leveling the attack and volume of a
slapped electric bass guitar.
Compressor for controlling or emphasizing the level of
a synth bass.
Compressor for brightening the tonal color of a piano.
A variation on preset 15, using a deep threshold to
change the overall attack and level.
Compressor for electric guitar "cutting" or arpeg-
gio-style backing. The sound color can be varied by
playing different styles.
Compressor for acoustic guitar "stroke" or arpeg-
gio-style backing.
Compressor for use with strings.
A variation on preset 19, intended for violas or cellos.
183
Using Libraries
Description
DM1000 Version 2—Owner's Manual
15

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